Showing posts with label Dianne Wiest. Show all posts
Showing posts with label Dianne Wiest. Show all posts

Thursday, 20 February 2014

150W: September

Short reviews for clear and concise verdicts on a broad range of films...

September (Dir. Woody Allen/1987)


“I’m not who I thought I was” notes Steffie (Dianne Wiest) in Woody Allen’s sober and sincere September. Loosely based on Chekhov play Uncle Vanya, Allen contains the drama within a single house. Friends and family are supporting clinically-depressed Lane (Mia Farrow) following a failed suicide attempt but everyone finds it difficult to cope. Lane loves her boyfriend Peter (Sam Waterston), but he has fallen for Steffie, a married woman going through a rough patch. Lane’s Mum, Diane (Elaine Stritch), a retired actress is desperate for Peter to write her biography frustrating Lane further. Suffice to say, no-one is, emotionally, who they think they are. Lacking the laughs, September provides a solemn approach to relationships. Allen takes a step towards seriousness as affairs are not flippant and suicide is real. A tender story, September lacks the pace and immediacy that drives a drama forward making this more miss than hit.

Rating: 5/10

Thursday, 19 December 2013

150W: Hannah and Her Sisters

Short reviews for clear and concise verdicts on a broad range of films...


Hannah and Her Sisters (Dir. Woody Allen/1986)

Breaking the mirror into three pieces, Woody Allen uses himself, Michael Caine and Max Von Sydow to depict the regretful, lustful and intellectual sides to his personality respectively. The sisters that bind these men together are central to the story as we find how Hannah (Mia Farrow) and her sisters (Barbara Hershey and Dianne Wiest). Elliot (Caine) is married to Hannah and falls for her sister Lee (Hershey); Lee is romantically involved with Frederick; Holly (Wiest) is the final sister who’s restless as her partner-to-be (and Hannah’s ex-husband), hypochondriac Mickey (Allen), is undergoing a crisis of faith. Such personal themes regarding faith and love are tackled sensitively and balanced well with measured comedy that shows maturity and intellect. Allen is confident in his direction, framing moments from obscure angles and capturing the drama within the context of three Thanksgivings. Well-written women and weighty ideas prove how impressive Allen truly is.

Rating: 8/10