Set within the misty, fashionable streets of New York, Irena
(Simone Simon) is a Serbian woman who is obsessed by the panthers and large
cats in the New York Zoo. While drawing the majestic creatures (including a
dagger, through the heart of the cat), she meets Ollie Reed (Kent Smith) – an
architect. A brief flirtation and falling deeply in love, Irena and Ollie are
married despite the paranoia that eats away at Irena each day. She recalls
legends of the “Cat People” in her native country whereby women would turn into
cats when filled with envy or greed – in fact, she believes that if she kisses
a man, she will devour him shortly after. Suffice to say, the no-kissing and lack
of intimacy within their marriages takes its toll. Ollie’s flirtations with his
friend Alice (Jane Randolph) only makes matters worse and Irena’s paranoia may
have more truth in it than people realise…
Highlighted in the BFI notes, producer Val Lewton “tossed
away the horror formula right away from the beginning”, he adds “no grisly
stuff for us”. Indeed, this is Cat
People’s strength. We are forced to consider who Irena really is and
stand-out scenes linger in your mind through Simone Simon’s edgy, convincing
performance. In one scene she follows Alice home while director Jacques
Tourneur cuts between the two sets of feet running down the street. Another
sequence remains eerie as Alice leaps into a swimming pool as reflections
flicker around the pool as we hear cat sounds. Val Lewton/RKO-produced horror
films of the 1940’s were hugely influential, and Cat People has a charm that resonates. In 1942, it became RKO’s
highest grosser for the year bringing in $4m. Because it was cheap and
successful – like a contemporary Hollywood horror film such as Paranormal Activity - it was copied
across Hollywood in the following years. But, the subtlety and growing
intensity was harder to imitate. Getting under your skin, Cat People toys with a fear of loneliness and detachment, as if we
are witnessing a husband who fails to understand his wife’s challenges – and
pushes her away in the process.
This is Part I of a double-bill with The Curse of the Cat People, Part II of the review can be read here. The full review is on Flickering Myth.
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