Showing posts with label Fight Club. Show all posts
Showing posts with label Fight Club. Show all posts

Saturday, 16 July 2011

The Film Locker #7: David Fincher and 'Se7en'

Fincher. Good ol' Fincher. There is always time to discuss David Fincher. Hatter and I were aware that we didn't want to have shows about 'the obvious' directors - cancelling out Spielberg, Nolan and Hitchcock - in the hope that we would discuss them on a separate series. But Fincher was a must.

Obviously, email the filmlocker [at] hotmail.com to enter the competition because, now half-way through, there is indeed a tight race with many new folks taking part! You can also email in if you want to simply expand on stuff we're talking about - we will endeavour to email you back!

Finally, the blog itself is filmlocker.blogspot.com and it has access to lots more reading material on the directors we have discussed. This next week, keep your eyes peeled for in depth reviews of The Social Network from Hatter and a discussion on Finchers music video 'Who is it?' for Michael Jackson...



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Saturday, 14 May 2011

A-Z #78: Fight Club

You can pick up hundreds of DVDs for a round-pound each - it doesn't matter. It's never about quantity, it's about quality. A-Z is my way of going through my collection, from A-Z, and understanding why I own the films ... or you can tell me why I should sell 'em


#78 - Fight Club

Why did I buy it?

I was friends, when younger, with a guy called Mark. He was into football and was quite the ladies man. Ultimately, we didn't stay friends for very long but, considering how proud he seemed to be of his masculinity, it is ironic how he also introduced me to Fight Club and Snatch. Both very much about men and about being a Man. With a capital M.

Why do I still own it?

Mark owned the films himself so after watching the film once, I then hunted down the DVD - and ensured I got that sweet paper-like sleeve. David Fincher, when you watch this film, you realise is a masterful director. His incredibly savvy use of special effects and stylised shooting in this film completely contrasts to his reserved and non-stylised direction in The Social Network. You can see that he understood the zeitgeist - following the capitalism of the 80's, now people became obsessed with products ... to the point that products and items became to define people. Today, it still stands and the film hasn't dated as the older-PC's simply look retro in the grubby, dirty world that Fincher has created. Incredible filmmaking and, I believe, the most important Fincher film.
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