Top 5 Best 'James Bond' Title Songs

Ultimately, there are so many good James Bond songs! I whittled out the bad songs on a previous post and now I have to choose my Top 5. First off, all the songs mentioned in this post are brilliant. None of them are specifically bad - in fact, I look at the likes of Live and Let Die by Paul McCartney and The Wings and worry that it should be higher ...  but then I look at my Top 5and can't see how it could be squeezed in. Chris Cornell's You Know My Name was incredible but is it as iconic as the Top 5 I chose? I think not. Even Matt Monroe and Tom Jones I decided against because Tom Jones i merely a male version of Shirley Bassey whilst Matt Monroe, though a great song, has very little correlation with the Bond songs that followed Goldfinger. The James Bond Theme from Dr No and the the title credits for On Her Majesty's Secret Service are both instrumentals and we have to have some rules - namely a singer-theme-song.

5. Goldeneye - Written by Bono and The Edge from U2, this again set the standard after the hiatus between Licence to Kill and Goldeneye. Tina Turner comfortably sings her way trhough, as Bassey sang many years prior. The opening credits sequence, additionally, introduces Daniel Kleinmann to the scene - taking the mantle from Maurice Binder by using Russian symbols and iconography linking with the plot itself. I was very tempted to put Tomorrow Never Dies at this very spot but thought, ultimately, Sherly Crows voice is nowhere near as strong as Tina Turners making it inferior. Though, I may be tempted to claim that Tomorrow Never Dies, as a song, is better ...  but shame about the delivery.

4. You Only Live Twice - Nancy Sinatra singing the Asian-themed tune of You Only Live Twice. A brillaint song which, in fact, was so good it was sampled by Robbie Williams for his song Millennium.

3. Goldfinger/Moonraker/Diamonds Are Forever - Yes, I have put all of Shirley Bassey's songs together because, even though Goldfinger set the standard, the songs which followed it became equally distinctive and impressive. Diamonds Are Forever sampled by Kanye West and, with Moonraker, John Barry even had a dance-version placed over the end-credits. Shirley Bassey can do no wrong.

2. Nobody Does It Better - Prior to Carly Simon's theme to The Spy Who Loved Me, other than Matt Monroe in From Russia With Love, the themes were bombastic, grand and loud ... Carly Simon sang a song that sounded personal and romantic. The side to 007 we never truly see ... 

1. A View To A Kill/The Living Daylights - by Duran Duran and Aha respectively. These two songs could be played continuously and they still have two things in common - both catchy pop songs that, even at the time, were highly successful singles. Secondly, the songs are rooted in the 80's scene - that I believe seems to give the songs a little retro edge now. If only Spandau Ballet sang Licence to Kill! I couldn't decide on which one is better, so I cracked and - again - but them both at Number 1.

Top 5 'U2' in Cinema/Television

With all this music-talk continuing in the blogosphere thank to Castor at Anomalous Materials, I have been thinking more about music myself - hence this list. First off, before this Top 5, I shall lay dow some ground rules. Obviously 'Live' DVD's or films don't count - so no U2:3D, ZOOTV or PopMart. Additionally to that, the tour-film Rattle and Hum directed by Phil Joanou doesn't count because, though released theatrically, it's a live DVD deep down. Finally, having only recently discussed The Million Dollar Hotel, its fair to state that as U2 and Bono actually wrote the whole soundtrack, thats discounted. Also, Goldeneye, is only written by Bono and The Edge, but alas is not performed by U2, so that doesn't count either.
Blog Cabins always mentions the 'notable' films he hasn't seen when analysing years in reflection. In the same way, it appears that a bunch of film I have not seen use U2 songs. Namely, The Heartbreak Kid ('One'), Elizabethtown ('In The Name Of Love'), Brothers ('Winter') and The Diving Bell and the Butterfly ('Ultraviolet'). Sorry Ben Stiller, your Heartbroken Kid, I'll bet, slaughters the song.

Before I rank the Top 5 Best use of U2 tracks in songs, lets note the horrendous uses of some songs: 'Bad' in Taking Lives ('Bad' is possibly one of U2's best tracks and it was used in sex-drama with Ethan Hunt and Angelina Jolie. Tragic), 'Beautiful Day' in anything - it is always used and, though I have only seen its use on sports programmes in England, I have additionally seen it used in the film Bandits (Though IMDB notes the use of the same song in Smallville, CSI:NY and Nim's Island). Obviously, we cannot forget the atrocious 'remix' of 'Elevation' in Lara Croft:Tomb Raider. In fairness, I reckon thats more to do with fact that 'Elevation' is a crap song anyway - its just U2 trying to recreate Blur's 'Song 2'...

Lets Countdown ...

5. Gangs of New York ('The Hands That Built America') - I have specifically hunted down the version with an orchestral beginning - opposed to the slightly less-epic version featuring on 2002 'Best Of 1990-2000'. I persoanlly like Gangs of New York at any rate (though I was in absolute shock that Andy and John from The Hollywood Saloon only recently spoke about films that should never-have-been and specified Gangs of New York as the worst Scorsese film! No sir.)



4. About A Boy (Zoo Station) - I like About A Boy for a number of reasons. Its virtually a rom-com for boys. Hugh Grant lives the perfect life and, having said that, you know he has the sweetest sound-system known to man... meaning Zoo Station would sound incredible in his flat. I couldn't find the scene itself, but it is used in the scene as the young lad is ringing Hugh Grant's doorbell...



3. Three Kings (In Gods Country) - I have been desperate to rewatch Three Kings for a long time but have yet to do so. But rarely does a film use a song so effectively that it finishes the film with such a positive buzz. In keeping with highlighting the songs being use in the sequence itself I have a section from the film which shows the final 10-minutes. Skip to 04.15 to see the use of the song...



2. Friends (With or Without You) - I know its a little bit cliche, but forgive me for having a heart. I think it is one of my favourite U2 songs, if not the favourite song. Unfortunately I couldn't find the scene itself but I found one of those silly 'dedication' videos that uses the song itself... the closest I could get considering...



1. Batman Forever (Hold Me, Thrill Me, Kiss Me, Kill Me) - I think this song is Number One for a bunch of reasons. First off, the video is incredible. Apparently Bono was actually considered for Batman, but I think its safe to say that he should stick to what he knows and leave the animators to create the only version of Batman Bono will ever play. Secondly, you could only get this track either on the soundtrack or on a single (remember them) before 2002 ... so it remained one of those incredible songs that was difficult to get hold of - alongside Oasis' 'Whatever' and multiple others...

Incredible Soundtrack #3: The Million Dollar Hotel (Willner/Bono/Eno)

The music attached to a film creates the environment, I believe, moreso than the literal environment depicted through the visuals...

Castor at Anomalous Materials has just begun one of those blog-a-thons called Desert Island Discs. This is a radio show once in England which has become almost iconic in the way it counts down your must-have CD's or films. Now, I rarely manage to complete these types of posts at the best of times so, in the hope that I can vaguely hit two-birds-with-one stone I have written this post. I must point out initially that this is by no means my favourite album or an album I would take to the desert island. In fact, I would not take a single track from this album to the desert island. Though, I know that I would take at least 3 tracks by U2 (off the top of my head? 'With or Without You', 'A Sort of Homecoming' and 'Mofo') - my favourite band ever. Thus my tenuous link to Castors 'Desert Island Discs' blog-a-thon.

The film is a strange one - almost dreamlike in its 'world' with Mel Gibson as the outsider to the surrealist hotel that is the Million Dollar Hotel. But the soundtrack really complements this context with soft, slow, soothing guitar riffs and chords. Echoes litter the album but the two stand out tracks are by U2 - 'Stateless' and 'The Ground Beneath her Feet'. The latter is on the album All That You Can't Leave Behind (albeit as a bonus track), but the former is only available on this soundtrack. The third track I have chosen is Milla Jovovich singing Lou Reed's 'Satellite of Love' showing the 'dream like' quality of the film... until the track descends into a strange territory. I always wish the song ended after 3 minutes, because the wailing ruins the song completely. In some ways, this song is not too far from the film itself - in that, as good as the film can appear and look, there is something uneven and strange about it making the film a little bit too strange to comfortably enjoy.

1. The Ground Beneath Her Feet

3. Stateless

4. Satellite of Love (Milla Jovovich and The MDH Band)