Showing posts with label The Ladykillers. Show all posts
Showing posts with label The Ladykillers. Show all posts

Thursday, 23 February 2012

The Ladykillers (Alexander Mackendrick, 1955)

"I always think the windows are the eyes of a house, and didn't someone say the eyes are the windows of the soul?"

Introduction

One thing which is fascinating about Classic Cinema is how the themes and ideas represent the social context - but in many cases, it represents the current social climate too. The Ladykillers was remade by The Coen Brothers, starring Tom Hanks in the role originally played by Alec Guinness, and moved from Kings Cross in London to the Missisippi, USA. This original, far from merely using the word "f***" over 80-times (a useful piece of trivia about The Coens remake), according to Geoff Andrew is a "black comedy of English manners" which, at the time, served to "reinforce a society trapped in the past". Personally, I believe it holds many themes that link with society today - and crucially the corrupted, mixed-up logic of those who are intelligent enough to pull-off a bank-job ... but who cannot face the music when confronted by someone who is sincere enough not to join their gang, and who would rather the men take responsibility for their actions.

Mrs Wilberforce

The crux of this film is Mrs Wilberforce (masterfully played by Katie Johnson) and she is what engages us fully in the story. Mrs Wilberforce is a staple to the society - she regularly assists and speaks to the police about the local issues. She knows the local shop-owners and they know her. She is very much a citizen who takes great pride in what defines and ensures a successful society by actively playing her role. You could argue that this trust in her nature is what is gets her into this mess - as she ultimately trusts the shadowy man who follows her home. Professer Marcus (Alex Guiness) is the shadowy-figure that asks to rent her accomodation. Well-mannered, well-educated and, in an arty-kinda-way, well-dressed. He is still a sleazy and creepy. And then there are his crew of thieves...

The Group of Bandits

The characters created are creatively simple and clear-cut. We have the Army Major (Cecil Parker) - clearly one of the infliences of Stephen Fry's character in Blackadder Goes Forth. The everyman Mr Robinson, which ironically, is played by Peter Sellers - an actor famous for his multiple-role playing antics on Dr Strangelove or: How I Stopped Worrying And Loved The Bomb. Next up is "One Round" (Danny Green), the big-dope - a towering, well-built man ... who is also a tad slow. And the gang is finished off with the Italian Gangster, Mr Harvey (Herbert Lom) - a little bit too dangerous and only on this theft through the recommendation of Professeur Marcus. Mr Harvey is the 'loose' cannon and you never quite trust him - off the top of my head, a more comedic version of "Raoul" in Panic Room. Nobody is clearly from the same sect of society Mrs Wilburforce hails from - a high-ranking Major in the Army, a "Professeur", a well-spoken "everyman", a well-dressed Italian and ... well, maybe "One-Round" is your average working-class gentleman.

Regarding Mrs Wilburforce, we are also introduced to her friends briefly - all small women with little glasses and small hats, wearing cardigans. Mrs Wilburforce is not alone.

The 'Human' Element

The final act of the film kills off one-character at a time as the bank-robbers try and (a) steal the money for themselves and (b) attempt to choose who will kill-off Mrs Wilburforce. As the group gets smaller and smaller, we eventually see Mr Harvey and Professeur Marcus discuss the night previously and the frustration the Professeur feels - he realises Mrs Wilburforce is "the human element" and that this is what has destroyed their plan.

The ideas we can take from the film are profound as the bank-robbers get away with their crime - it is Mrs Wilburforce, the citizen of the country, who forces them to acknowledge their crime. The bank-job itself shows how, like those responsible for the recent financial crash, those who can commit the crimes are intelligent people and are more than capable of pulling it off. Indeed, no-one has been held responsible for the bank-job of the last decade. As noted, they are intelligent and well-educated - and the argument that its "only a farthing per person" is the type of logic we need to accept with regards to how we are to get "out" of this finanical climate - as noted on my analysis of If... - the British Prime Minister claims "we are all in this together". We all pitch in and the original crime is ignored.

The gang kill each other through their efforts to double-cross and con the other members of the group - is this hinting at the idea that all this greed over years - possibly centuries - will ultimately just destroy itself in one way or another. The criminals cannot kill the decent woman who they have decieved - the reason they can commit such a crime is because they don't see those who are affected. Detached, they can rob a bank - and it hints that Mr Harvey kas killed people - but when they get to know who is directly affected and are held accountable for their actions, they cannot bring themselves to continue in this manner. In fact, they don't even seem to like the 'Old Lady', or Mrs Lopside (implying that her attitude is off-balance?), and so it could even be highlighting the social divide between the white-collar criminals and the upper class against the "general public".

The film clearly portrays how, despite the moral-issues surrounding the definition of what is right and wrong, this is the society we live in and those who are in the position to rob a bank - our five-piece gang - are, in fact, right in their assertion that the money will be re-distributed. Mrs Wilburforce finds out in the final scene that she can keep the money and it doesn't make a slightest bit of difference on the grand scale of things. The difference in how that money is used is what is at the forefront of our minds in that final scene. The greed of those who commit the crime meant that the money is not distributed effectively whilst Mrs Wilburforce is happy to hand over huge sums of money to the artist in the street and will spend her money sensibly (on umbrella's) whereas, the detached, destructive, greedy Ladykillers only thought of themselves. It seems that Mrs Wilburforces socialist attitude towards the economy is held by people who are directly part of society, unlike those who simply want to make money from society.

Still don't think it is relevant to todays world? It turns out that the play is enjoying a run on the West End in London as this is published ... with star-of-In-The-Loop Peter Capaldi playing the Alec Guinness role...

Sunday, 4 July 2010

The Complete Collections: The Coen Brothers (Part 3)

Other than financial concerns, every film the Coen's had made got pretty-much positive criticism. Miller's Crossing and The Hudsucker Proxy had its interesting concepts, but ultimately failed at the box-office. Whatever the case, producers knew, with the right restraints (not too mcuh money...) the Coen's had an established audience and all they needed was a certain amount of freedom to continue to enlarge the audience they were building...

O Brother, Where Art Thou (2000)

George Clooney joining John Turturro, John Goodman, Holly Hunter (previously in Raising Arizona) and many others in a new Coen's movie. This time it is a retelling of Homer's Odyssey, but in the Coen's unique style. Clooney, Turturro and Tim Blake Nelson are three convicts who escape from prison to look for money that Clooney's character is positive awaits them. It will be split amongst the three. Set in Mississippi in the 1930's, we know we are in familiar territory. The Hudsucker Proxy dealt with the era surrounding The Great Depression from the perspective of New York, while this film is set in deserts and grassy plains from inner-America. Lets just recap and see where we have ended up so far with the Coen's. Having previously mentioned Hudsucker based in New York on the east coast, Blood Simple based in the deep South of Texas, Barton Fink and The Big Lebowski are set in west-coast LA, Fargo is set between Minnesota and North

Monday, 28 June 2010

The Simon and Jo Film Show: 27/06/2010

[Nb. This show is particularly offensive…especially Jo’s reaction to England’s defeat in the World Cup’… brace yourselves…] A semi-sports themed podcast this week. We begin ‘The Simon and Jo Film Show’ at Wimbledon on the day Nadal, Marray and Davenport all compete – and we continue on our film discussion as Simon manages to have seen Woody Allen’s latest release ‘Whatever Works’ starring Larry David.

We then have the London box-office, the news and to finish, some finishing touches to the Coen brothers ‘odyssey’ as Simon discusses ‘The Ladykillers’ starring Tom Hanks.

To finish, we have trailers to discuss – namely the latest ‘Inception’ trailer introducing the characters, ‘Red’ starring Bruce Willis, Morgan Freeman, Helen Mirren and John Malkovich and additionally ‘The Green Hornet’ starring Seth Rogen and Cameron Diaz.

Links

To contact the show and give a little feedback, we do support the right to email: simonandjoshow@gmail.com Complain or praise, advice or support on specific touches and, believe me, we will respond and potentially discuss it in a future episode.

Music

All music is from the soundtrack to ‘The Ladykillers’ – except one track which we all know from ‘Footloose’ performed by Kenny Loggins.
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Monday, 21 June 2010

Favourite Film Faces #2: Tom Hanks in The Ladykillers

So, in the final stretch of my ongoing Coen Brothers viewing, I have now watched 'The Ladykillers' and, without giving my verdict away just yet, I have selected my favourite face. I heard some pretty shifty things about this film - and Tom Hanks being in a Coen's film seemed a little strange.

We are introduced to the sneaky Dr Dorrs character he plays and, I felt, a little unsure how to take the character (a cat in a tree, not really that funny...) until Hanks gives this smile when noting a 'riddle'. Creepy, unique and completely erasing the standard-hanks-persona for an incredible character who holds the film in his hands - alongside Mrs Munson.
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