Showing posts with label Lawrence Fishburne. Show all posts
Showing posts with label Lawrence Fishburne. Show all posts

Friday, 4 February 2011

A-Z #27: Boyz N The Hood

You can pick up hundreds of DVD's for a round-pound each - it doesn't matter. Its never about quantity, its about quality. A-Z is my way of going through my collection, from A-Z, and justifying why I own the films... or you can tell me why I should sell 'em




#27 - Boyz N The Hood 

Why did I buy it?

Originally, I watched this for the first time in Media Studies - or was it Film Studies - back in my New College days. I remember very little of that first viewing, but I did know the basic facts as to how it showed a side to America that I had not seen until that point - at the tender age of 16/17. I bought the film many years later as the special-edition was low in price and I am keen to explore more African-American cinema - though sadly, I have yet to get fully immersed. This one John Singleton film seems to be the only film I have watched of this genre - but, I swear, in due course, I will hunt down a Spike Lee boxset and really gte stuck in.

Why do I still own it?

Because the performances are, first off, incredible. Pre-Morpheus Lawrence Fishburne and Pre-Rat Race Cuba Gooding Jr... indeed, there was a time whereby he was a credible actor. Of course there is Pre-Three Kings Ice Cube too! The story is an exploration of an economically-deprived area in America and daily concerns that arrive - gang-culture and the difficulties in getting out of 'the hood'. Akin to Goodfellas we see the young boys as children as they hang about and see a dead-body in 'the hood' - and the pressure for the boys to become aggressive and defend themselves/protect themselves. This then graduates to show the same pupils in their late teens - all going separate ways. The inevitable consequence of Ice Cubes character - whilst Cuba Gooding Jr is conflicted.

I think, unfortunately, the same themes have been explored to a much deeper level in The Wire - especially Series 4. But, fact is, Boyz n the Hood broke new ground with its depiction and the performances are timeless.

But does The Wire overshadow it to a point that it serves little purpose now? Is it really worth keeping?
  
Remember - you can always email The Simon and Jo Film Show directly using this email: simonandjoshow@gmail.com
We are also on Twitter  and Facebook.

Large Association of Movie Blogs

Wednesday, 19 January 2011

A-Z #14: Apocalypse Now

You can pick up hundreds of DVD's for a buck each - it doesn't matter. Its never about quantity, its about quality. A-Z is my way of going through my collection, from A-Z, and justifying why I own the films...


#14 - Apocalypse Now 

Why did I buy it?

I held back on this for multiple reasons. I watched it back in my Uni days whereby Jo and I shared a flat. Jo had the film - the redux - and I borrowed and watched it. It was a long film. I fell asleep and watched the second half the following day. I always thought it was surely better than I recalled... so it was only a matter of time before I would watch the theatrical cut. Years later, that sweet tin-edition fell down in price to something like £7 and I was sold. The perfect opportunity to watch the film a second time.
Why do I still own it?

Because that second viewing was much better. I didn't fall asleep and I could appreciate the incredible images every frame offered. Even catching the shot I chose from this post was tough - the silhouetted 'copters with a burning-backdrop, each shot could be framed. Martin Sheen is incredible in his role and the gritty truth of war is highlighted in a tasteful and expressive way. I see now the masterpiece that Apocalypse Now is.

I know I shall watch this many, many more times in the future...
  
Remember - you can always email The Simon and Jo Film Show directly using this email: simonandjoshow@gmail.com
We are also on Twitter  and Facebook.

Large Association of Movie Blogs