
But this has not, and will not, be released. Not for many, many years. But the Blu-Ray release at least has all six films included, but not the usual six. In fact, Lucas has made some slight adjustments. The biggest - but arguably acceptable change - was Yoda in Star Wars Episode I: The Phantom Menace that has been digitally re-created to replace the puppet originally featuring in the film.
But there are more changes - and the big one is at the end of the sixth "episode" Return of the Jedi (or, the third film chronologically). [Spoiler...] Rather than Vader, silently and robotically, picking up Darth Sidious and killing him, Lucas has added an emotional "No-o-o-o-o!" to Vader's voice as he shows his angry at Sidious killing his Son.
Intially, this pissed me off. It does change the emotional moment - the robotic Vader has a verbal emotion to the situation. He is not just 'cracking' under the pressure silently, he is nor clarifying his feelings in a verbal manner. Yeah, Lucas has changed the meaning slightly ...

I watched a bit of X-Men: The Last Stand as it appeared on TV and thought "I wish they would cut out all the inconsistencies in the X-Men franchise". I am a perfectionist and want things to match and remain consistent. The whole Superman Returns fiasco - "It's set after the the first Chris Reeve film, but before Superman 2" or something - how the hell does that work? I love the way the Saw films consistently work with the same actors and re-occuring sequences all in a completely consistent manner. The fact that Myer's is simply 'gone' in Hellboy II:The Golden Army annoys the hell out of me - why not a cameo? The fact that between 2003 and 2012, in the Marvel universe, three different actors are playing a role in a linear storyline is ridiculous. The big one though is how Francis Ford Coppola had a script whereby Tom Hagen (Robert Duvall) was the focus of The Godfather Part III but because the studio didn't pay up, the film turned to shit, again frustrates me. The vision the directors and filmmakers had was corrupted by the constraints of the studio.
