Fast Times at
Ridgemont High is a staple of 1980’s teenage cinema. Part of the ‘Teenage
Kicks’ season at the BFI, this is where Cameron Crowe (who would go on to
direct Jerry Maguire and Almost Famous) and Amy Heckerling (of Clueless and Look Who’s Talking) would get their start. The many cast members,
including Sean Penn as a sweet stoner, would all use Fast Times as a springboard for successful careers following its
release in 1982. What separates Fast
Times from teenage films such as Porky’s,
is the sense of sincerity and brutal honesty it seeks. Fast Times at Ridgemont High is purposefully explicit, but it
highlights home truths that our teenage selves might find difficult to
articulate. It begins the conversation about masturbation, abortion and sex
amongst teenagers, with a playful tone to balance the seriousness of the
issues.
The watering hole of these teenagers is Ridgemont Mall.
Stacy (Jennifer Jason Leigh) and Linda (Phoebe Cates) work in a restaurant, and
sex and boyfriends are the only thing to talk about. Stacy’s brother, Brad
(Judge Reinhold), works in a fast food joint whereby he’s popular and with a
girlfriend (though he toys with the idea of breaking up to be more “free” in
his final school year). Mike ‘Rat’ Ratner (Brian Backer) works in the cinema,
while close friend Damone (Robert Romanus) is a ticket tout for local concerts.
Damone, stylish and slick, offers advice to Woody-Allen-esque Mike. Mike is in
love with Stacy from the first moment he sees her in biology class. Finally, we
have Jeff Spicoli (Sean Penn) and his chums (including Eric Stoltz). They smoke
all day and fall into school when they’re not dreaming of surfing and
bikini-clad women, to the frustration of crusty old Mr Hand (Ray Walston).
These very vaguely interconnected stories are the focus
point for the school year. 15-year-old Stacy sets the tone of the film as she
uncomfortably asks Linda about sex, before sneaking out of her parent’s house
to lose her virginity at ‘the point’ with an older man. What Fast Times at Ridgemont High deftly
manages to do is observe these kids without judgement. There is a sense that
the older man is a little creepy, and she caves to peer pressure from her
friends, but Cameron Crowe doesn’t spell it out. A teenage audience may see the
story in a completely different light. The final act even touches on the theme
of abortion, and this darker tone is a subtle hint at the potential dangers at
play in those precious teenage years. Cool and likeable characters are revealed
as insensitive and thoughtless, while naivety and innocence can be influenced
easily, with dire consequences.
In many ways, this isn’t a ‘story’ at all, more an insight
and snapshot of (white, middle-class) teenagers in the early 1980’s. The scorn
you could hold towards lazy, stoner Jeff is countered by his dreams and
ambitions of surfing, and his reckless optimism (that even drives him to order
a pizza as he sits in class). Within this single year, Jeff will do fine.
Job-hopping Brad too, though fantasising about his sisters friend, has his
heart in the right place.
Fast Times at
Ridgemont High is first and foremost, good fun. There is no definitive
moral to the story, and though it celebrates the sexual freedom of youth, it
doesn’t seem to pack a punch when it surely could. Abortion, rather than an
easy-fix to a flippant situation, is often a difficult process for any woman to
go through. By the same token, Jeff’s disenchantment and lack of interest in
education is often the case with many, and very few are lucky enough to still
achieve the grades to continue. But these are concerns that negate the purpose
of Fast Times at Ridgemont High. It
raised awareness at a time whereby discussing the issues would be taboo in and
of itself. By not placing judgement or criticism, it opens the door to
interpretation and places the ball back in your court. Teenagers are
irresponsible and, rightly so, Fast
Times at Ridgemont High has this reckless attitude at its core.
This post was originally written for Flickering Myth
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