Shadows and Fog (Dir. Woody Allen/1991)
Lurking in the shadows is the killer. You don’t want to discuss it and you don’t want to put yourself in the fog and make yourself a target. It is inevitable. Death, in and of itself, is inevitable. Shadows and Fog, a dark and dusty drama from Woody Allen asks these profound questions. Under the guise of an ambiguous type of dwelling, town folk are awkward and join different groups (see. Religions) in the hope of capturing the killer (see. Death). Mr Kleinman (Allen), alternatively, is not sure of the rules (not sure of God) and not sure what is expected of him to capture the killer (scared of death, but not convinced of religion). Though aspiring to be cerebral and high-brow, Shadows and Fog attempts to metaphorically deconstruct the meaning of life. Maybe further watching improve it, but the happy-go-lucky prostitutes and uninteresting investigation don’t engage – and it should.